FRANCIA, Francesco

Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia


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FRANCIA, Francesco Adoration of the Child (detail) dgj oil


Adoration of the Child (detail) dgj
Painting ID::  6707
Adoration of the Child (detail) dgj
Panel Pinacoteca Nazionale, Bologna
Panel Pinacoteca_Nazionale,_Bologna
   
   
     

FRANCIA, Francesco Crucifixion with Sts John and Jerome dfh oil


Crucifixion with Sts John and Jerome dfh
Painting ID::  6708
Crucifixion with Sts John and Jerome dfh
c. 1485 Panel, 52 x 33,5 cm Collezioni Comunali d'Arte, Bologna
   
   
     

FRANCIA, Francesco Madonna and Saints whh oil


Madonna and Saints whh
Painting ID::  6709
Madonna and Saints whh
Panel S. Giacomo Maggiore, Bologna
Panel S._Giacomo_Maggiore,_Bologna
   
   
     

FRANCIA, Francesco Madonna and Saints (detail) gj oil


Madonna and Saints (detail) gj
Painting ID::  6710
Madonna and Saints (detail) gj
Panel S. Giacomo Maggiore, Bologna
Panel S._Giacomo_Maggiore,_Bologna
   
   
     

FRANCIA, Francesco Madonna and Child with the Infant St John the Baptist dsh oil


Madonna and Child with the Infant St John the Baptist dsh
Painting ID::  6711
Madonna and Child with the Infant St John the Baptist dsh
c. 1500 Panel, 57 x 43,7 cm Museum of Fine Arts, Budapest
c._1500 Panel,_57_x_43,7_cm Museum_of_Fine_Arts,_Budapest
   
   
     

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     FRANCIA, Francesco
     Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia

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